Audiences and Alien Abduction

February 2, 2014

 

 

 

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When we’re in the midst of creating something, thinking too much about audiences can be limiting and obstructive—especially as our minds tend to go toward the negative, and internally it’s seldom, “Everyone will love this!” and much more likely, “Everyone will think this is the worst ever.”

But once our work is out in the world, we have more opportunities to connect.  Someone will come up after a show or a reading, or ask a question during a panel, or send us an email about our work.  (I’m not talking about reviewers, here, but just regular audience members.) These responses can be wonderful, enlightening, depressing or just perplexing.  Once someone came up to me after a performance of my science fiction opera with Anthony Davis, Under the Double Moon, completely convinced that I had shared her experience of being abducted by aliens.  (For the record, I’ve had the good fortune to have never been abducted by aliens, or anyone else.) People have also told me the stories of their ill-fated love affairs, failed patent applications, and rejected manuscripts.  They also often compare something I’ve written to something I’ve never heard of, convinced that my work was somehow derived from it.

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Even if, like me, you aren’t famous at all, it’s always a little bit of a crush after a public appearance of any kind, but I try and listen to everyone who comes up to me, because every comment, no matter how seemingly out-of-the-blue, is a response to my work. I am happy people have been touched, or interested, or even aggravated, by what I created.

The greatest enjoyment for me is in creating the work, not presenting it.  This is true whether I’m working on something alone and the ideas are actually flowing, or sitting down with my long-time collaborators to bring something to life together.  And if it is a performance work, the rehearsals are always a happier and more involving experience than the actual performance itself, which goes by too quickly, and during which you are always listening for the audience’s response. But there is nonetheless something completely gratifying about hearing an audience laugh (when they are supposed to) or to see someone look like they are about to cry when the hero dies. You’ve hit the mark; they got it. 

And then it doesn’t matter if afterwards they ask you about your personal experiences on Alpha Centauri; they wouldn’t be asking if you hadn’t touched them.

Follow me on Twitter @DatherToo.

Applause Photo courtesy of Princess Theater—Raising the Curtain via Creative Commons License. Some rights reserved. 

UFO Photo Courtesy of  Dommeruk Creator:Dominic Harris via Creative Commons License. Some rights reserved.

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Publicity 101

May 10, 2012

by Deborah Atherton

To all the Intuitive Edge’s devoted readers, I would like to make a  recommendation:  independent marketing and PR professional Eleanor Lang’s Four Part Series on Do-It-Yourself Publicity for the artist on the Interstitial Arts Blog. In it you will find information on everything from press releases and follow up to social media.

We almost all find publicity challenging – we don’t want to sell our work, we want to create it! But if we ever want anyone to listen to it, read it, watch it, or participate in it – we have to take some action.  Whether we just want to get a nice audience for our band at the local bar or induce the New York Times to show up at our gallery opening – this series offers the steps, and helps reduce the pain, of getting other people to pay attention.